Fra Bartolommeo

by Leader Scott

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Michelangelo, Leonardo, Raphael: the three great names of the noblest period of the Renaissance take our minds from the host of fine artists who worked alongside them. Nevertheless beside these giants a whole host of exquisite artists have place, and not least among them the three painters with whom Mr. Leader Scott has dealt in these pages. Fra Bartolommeo linking up with the religious art of the preceding period, with that of Masaccio, of Piero de Cosimo, his senior student in the studio of Cosimo Roselli, and at last with that of the definitely “modern” painters of the Renaissance, Raphael, Leonardo and Michelangelo himself, is a transition painter in this supreme period. Technique and the work of hand and brain are rapidly taking the place of inspiration and the desire to convey a message. The aesthetic sensation is becoming an end in itself.

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In 1490 the two young painters began a studio together in Florence and were both later influenced substantially by Raphael (1483 1520).By the late 1490s, Bartolomeo became dedicated to the religious reformation movement lead by the Dominican priest Girolamo Savonarloa (1452 1498)In perspective, characterization of his subject, drapery, colour, grouping, and rhythm of pose and movement Bartolommeo holds to the Cinquecento, while the impression made by his devotional pictures is in no way lowered by realism or by seeking after external effectFra Bartolommeo painted about the same time, in SHe executed some pictures of Our Lady for the house of the Medici, and also other paintings for various people, such as a picture of Our Lady which Lodovico di Lodovico Capponi has in his apartment, and likewise another of the Virgin holding the Child in her arms, with two heads of saints, that is in the possession of the very Excellent Messer Lelio Torelli, Chief Secretary to the most Illustrious Duke Cosimo, who holds it very dear both on account of the genius of Fra Bartolommeo, and because he delights in, loves, and favours not only the men of our art, but every fine intellectPhoto A composition drawing for Madonna della MisericordiaAnd in truth, in this manner of coloring, he imitated to a great extent the works of Leonardo; particularly in the darks, for which he used printer's smoke-black and the black of burnt ivoryHelp us improve our records by sharing your corrections or suggestions

Fra Bartolommeo was the only one of the four great masters to remain in Florence, where he was the citys most important painter until his death in 1517Marco, in which he painted Christ with Cleophas and Luke, and made a portrait of Fra Niccolo della Magna, who was then a young man, and who afterwards became Archbishop of Capua, and finally a CardinalAround Fra Bartolommeo Museum Boijmans Van Beuningen owns a world-class collection of drawings from the Italian RenaissanceIn The Catholic EncyclopediaTake this Quiz Elvis Presley American popular singer widely known as the King of Rock and Roll and one of rock musics dominant performers from the mid-1950s until his deathClose Baynes, T.S., ed

- 5:00 p.mFra Bartolommeo painted mostly religious subjectsMuseum Boijmans Van Beuningen owns the worlds largest and finest collection of his drawingsFollowing the artists death in 1517, the drawings, together with the inventory of his workshop, came into the possession of his successor, Fra Paolino da PistoiaHowever, he resumed his work, painting in the style of Angelico which was in agreement with the spirit of Savonarola and also in part in the style of Masaccio and Filippino He had previously studied the Florentine art of the time with great care and painted, above all, in the manner of this school

Maximise your experience Groups Are you visiting with a group? Then why not book an hour-long guided tour of the exhibition? One of our guides will provide you with fascinating insights into the exhibitions highlightsHe was a monk so his life story was less appealing than that of the other threeGietmann, GerhardContact informationFrom 1498 is his famous portrait of Savonarola, now in the Museo Nazionale di San Marco in FlorenceThe young artist joined in a bonfire of the vanities instigated by the preacher, throwing his own early drawings of nudes into the flames.In the early 1500s, Baccio joined the Dominican order of friars and stopped painting for a few years until he was asked to become head of the artists workshop at the monastery, which sold artworks to finance to its activities, and to make altarpieces for its churchPaintings of Fra Bartolommeo Fra Bartolommeo, Madonna della Misericordia (Madonna of Mercy Surrounded by a Throng with St Dominic and the Donor) (detail), circa 1515In the foreground, among the principal figures, he made a S 2ffeafca65
Leader Scott
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